ADOBE PHOTOSHOP CS2: PHOTOGRAPHERS' GUIDE
CHAPTER PHOTOSHOP AND PHOTOGRAPHY FROM 50,000 FEET IMAGES IN THE DIGITAL DOMAIN TRANSFERRING SKILLS BASIC COMPOSITION LENS SELECTION SELECTIVE FOCUS CHOOSING THE RIGHT FILM DARKROOM TECHNIQUES RETOUCHING COMPOSITING COLOR CORRECTION CREATIVE USE OF BLACK AND WHITE FILTERS NEXT UP CAMERA AND LENS EFFECTS IN PHOTOSHOP LENS EFFECTS PERSPECTIVE CONTROL ZOOM TELEPHOTO EFFECTS COMPRESSING DISTANCES FISHEYE LENS LENS FLARE CONTENTS CONTENTS MOTION BLUR CREATING THE ALPHA CHANNELS APPLYING THE LENS BLUR FILTER PHOTOSHOP CS PHOTO FILTERS LENS DISTORTION CORRECTION NO PERFECT LENS FIXING CHROMATIC ABERRATION CORRECTING BARREL AND PINCUSHION DISTORTION CORRECTING VIGNETTING CORRECTING PERSPECTIVE MANIPULATING DIGITAL NEGATIVES PHOTOSHOP’S RAW SUPPORT USING THE CAMERA RAW PLUG-IN FILM DEVELOPMENT TECHNIQUES SOLARIZATION RETICULATION CROSS-PROCESSING HIGH-CONTRAST IMAGES GRAINY IMAGES BLACK-AND-WHITE INFRARED FILM COLOR INFRARED FILM PRINTING TECHNIQUES DODGING/BURNING VIGNETTING REVISITED SEPIA TONING AUTOMATICALLY CROP AND STRAIGHTEN PHOTOS SECRETS OF RETOUCHING RETOUCHING, THE OLD WAY RETOUCHING NEGATIVES RETOUCHING TRANSPARENCIES RETOUCHING PRINTS RETOUCHING, THE NEW WAY DUST SPOTS DOUBLE CATCHLIGHTS OTHER DEFECTS TACKLING A RETOUCHING PROJECT AVOIDING RETOUCHING CROPPING REMOVING DUST AND NOISE FIXING DUAL CATCHLIGHTS REMOVING UNWANTED OBJECTS DARKENING AND LIGHTENING MOVING BOY OVER REPAIRING IMAGES WITH THE HEALING BRUSH AND PATCH TOOLS CANCELING RED EYES COMPOSITING IN PHOTOSHOP CS YOUR COMPOSITING TOOLKIT SELECTION REFRESHER COURSE MAKING RECTANGULAR, SQUARE, OVAL, AND CIRCULAR SELECTIONS CREATING SINGLE-ROW AND SINGLE-COLUMN SELECTIONS MAKING FREEHAND SELECTIONS WITH THE LASSO TOOL OTHER SELECTION TIPS ADDING, SUBTRACTING, OR COMBINING SELECTIONS OTHER SELECTION TOOLS MAGIC WAND THE SELECT MENU MAKING SELECTIONS WITH THE PATHS PALETTE CREATING A SIMPLE COMPOSITE STITCHING TWO PHOTOS TOGETHER MERGING PHOTOS THE HARD WAY MERGING PHOTOS THE EASY WAY CREATING A FANTASY LANDSCAPE ADDING CLOUDS BRINGING THE SEASHORE INLAND ADDING A CASTLE COMPOSITING CLOSE UP EXTRACTING THE KITTEN KITTEN ON A DESKTOP CREATING A REFLECTION MORE THAN ONE WAY TO SKIN A CAT COMPOSITING POSSIBILITIES COMBINING COMPOSITING AND RETOUCHING CORRECTING YOUR COLORS WONDERFUL WORLD OF COLOR COLOR MODELS OTHER COLOR MODELS CAPTURING COLOR IMAGES COLOR CALIBRATION AND GAMMA CURVES COLOR CORRECTION MADE EASY USING COLOR BALANCE CONTROLS ADJUSTING HUE/SATURATION/BRIGHTNESS USING COLOR RING AROUNDS AND VARIATIONS IMAGE CORRECTION MADE EASIER WITH PHOTOSHOP CS2 USING EXPOSURE CONTROLS USING LIVE HISTOGRAMS MATCHING COLOR REPLACING COLOR THE COLOR REPLACEMENT TOOL USING EXPOSUREMERGE CALIBRATING YOUR MONITOR BEYOND BLACK AND WHITE WHY BLACK AND WHITE? CONVERTING COLOR TO BLACK AND WHITE HUE SATURATION BRIGHTNESS CONVERTING TO GRAYSCALE WITH CHANNELS OTHER GRAYSCALE EFFECTS ANTIQUE PHOTOGRAPH ORTHOCHROMATIC FILM USING PHOTOSHOP CS’S FILTERS WHAT ARE FILTERS? WHAT KINDS OF FILTERS ARE AVAILABLE? USING FILTERS CHOOSING THE PORTION OF AN IMAGE TO APPLY A FILTER TO SELECTING THE FILTER APPLYING THE FILTER SAVING THE IMAGE OR A SNAPSHOT PHOTOSHOP CS’S FILTER GALLERY FILTER GALLERY BASICS REPRODUCING PHOTOGRAPHIC FILTERS IN PHOTOSHOP POLARIZING FILTERS CROSS-SCREEN SPLIT FILTER MODIFYING IMAGES WITH PHOTOSHOP’S FILTERS PAINTING FILTERS SKETCHING/DRAWING FILTERS EDGY FILTERS DISTORTION FILTERS PIXELATION AND STYLIZING FILTERS HARDCOPIES MADE EASY WHY PRINTS? COLOR PRINTS AS PROOFS YOUR OUTPUT OPTIONS LASER PRINTERS INKJET PRINTERS DYE SUBLIMATION PRINTERS OTHER PRINTER TYPES USING PROFESSIONAL SERVICES GETTING SET UP A TYPICAL PRINT SESSION TIPS FOR GETTING THE BEST DIGITAL PRINTS PRINTERS AND DIGITAL CAMERAS